“Must have let out a now-I’ve-seen-it-all sigh when,”
By Leslie Sainz
Must have let out a now-I’ve-seen-it-all sigh when,
aboard another Mexican Riviera Well-Being Cruise™,
a woman much older than I asked about our involvement
in The Secret. Here’s what I didn’t say: we pocketed $500,000
from the first 200,000 DVDs, Rhonda Byrne is a harpy.
Everything else was said, for I am nothing if not honest,
honesty being a satisfying life experience all its own.
But back to the sigh, which I admit was a little pockmarked,
a little nest for the competing narratives, you see. It’s no secret that
I don’t need facts as much as the average person, which serves me
quite well in this, the business of speaking to and beside destiny.
But as the question transmuted itself (nonphysical to physical),
it was as if I’d foregone my pre-show rituals: the extravagant
low-carb breakfast, the 37-minute bubble bath, the prophet is mic’d up,
the prophet is mic’d up chant. Instead, I remembered reading
somewhere that documentaries are a constant negotiation
between the filmmaker and their viewers. On? Off?
abraham held me like foam between the records.
Source: Poetry (January/February 2026)


